You can use all of the anamorphic cine lenses with Sony’s full-frame and APS-C cameras. You will have to take the crop factor into account, though, depending on the camera you have. The lenses included in the post are compliant with Sony’s E Mount. So, if you have a full-frame body with an FE Mount, you can calculate the resultant focal length using 1.5X as the crop factor. Before we get to the best anamorphic lenses for your Sony camera, here are some other articles that may interest you –
Check out the best Sony lenses for street photography. Want to capture faraway objects? Take a look at the best telephoto lenses for Sony Full Frame Cameras. Protect your cameras and lenses with some of the best travel backpacks for your camera gear.
Let’s take a look at the lenses now.
1. Sirui 50mm f/1.8 Anamorphic Lens
Squeeze factor: 1.33X One of the highlights of the Sirui 50mm anamorphic lens is that it’s quite lightweight for a lens of its stature. As such, if you pair it with a camera with an APS-C frame, you’ll have a reasonably portable setup — at least in terms of weight. More to the point, the lens shoots in 2.4:1 as opposed to the standard 16:9 aspect ratio for a wider look. Much like most anamorphic lenses, Sirui’s offering incorporates a blueish flare when shooting lights which adds to the cinematic look. As per the reviews, the company is offering an excellent-quality lens for the price. However, there’s one downside for all you videographers out there. To wit, the lens doesn’t come with any stabilization features so if your camera lacks IBIS, you’ll have to stick to using a tripod or a gimbal.
2. Sirui 35mm f/1.8 Lens With E-Mount Adapter
Squeeze factor: 1.33X The Sirui 35mm lens draws a lot of parallels to the company’s 50mm lens prefaced above. To that end, the lenses churn out similarly pleasing images and offer the same wide f/1.8 aperture. The wide aperture helps with photography at night since it lets in a lot of light. The 35mm focal length is comparatively wider if you wish to fit more into the frame. One notable difference between the 50mm and 35mm Sirui lenses is that the latter comes with an E-Mount adapter since it’s not natively made for Sony cameras. Most reviews talk about excellent picture quality and fast focusing speeds. If anything, you will have to rotate the focusing ring by quite some margin for nominal and slight adjustments to the focus.
3. Sirui 24mm f/2.8 Lens
Squeeze factor: 1.33X A 24mm lens is perfect for wide-angle shots, the likes of which include landscape photography or snapping photo of a large group of people. It helps you capture more elements in the scene, especially if you’re shooting with an anamorphic lens that offers a wider aspect ratio compared to traditional photos and videos. However, a small drawback of the Sirui 24mm lens is that it comes with a slightly narrower aperture compared to the 50mm and 35mm lenses. Instead of f/1.8, the lens is capped at f/2.8 so you’ll have to temper your expectations when clicking images in lowlight scenarios. On the upside, the lens has amassed superb reviews, with buyers happy with the unit’s performance in artificial lighting environments too. So, if you plan to click photos under street lights at night, you will have no issues with the Sirui 24mm anamorphic lens.
4. Venus Laowa Nanomorph 3-Lens Anamorphic Bundle
Squeeze factor: 1.5X The Venus Laowa Nanomorph lens kit covers three different focal lengths — 27mm, 35mm, and 50mm. The 27mm lens has an aperture of f/2.8 while the 35mm and 50mm lenses have a slightly wider f/1.4 aperture. All three lenses are surprisingly compact, especially when pitted against the Sirui lenses mentioned above. As opposed to the Sirui lenses that offer a blue flair when capturing lights, the Venus lenses add a silver flair to the stills. The lenses overturn an oval-shaped bokeh which also adds an artistic touch. There’s no doubt that the Venus Laowa lens kit is rather expensive. That said, the lenses cost a pretty penny should you pick them up one at a time. As such, it makes sense to opt for the bundle. At the same time, the company’s lenses are featherlight. So the lenses won’t weigh your hands down if you use them with say, a Sony A7Siii or a similar camera with a big body.
5. Creator FX Anamorfake Lens Filter
Filter thread size: 82mm The best way to get an anamorphic look without spending too much on a new lens is to use a lens filter like the one from Creator FX. It costs a fraction of what you would pay for an anamorphic lens. At the same time, you can use it on top of any lens of any focal length. You get blue flares with this particular model. However, the brand also sells other variants that can bring out different streaks of colors in your photos. Speaking of variants, the model we’ve shortlisted is compliant with lenses that have a thread size of 82mm. However, the company also sells the filter in a 77mm trim, so make sure to factor that in before you buy the device. Most users who have purchased the Creator FX lens filter have exceptional things to say about the product. In fact, the flares created by the filter give your photos and videos a dreamy look, especially if you’re shooting at night. However, it’s important to note that since this is just a filter, it doesn’t give you the wide frame you would get from an actual anamorphic lens. It only adds light flares to your photos.
Add a Dreamy Look to Your Photos
These anamorphic lenses for your Sony camera will add a unique effect to your photos and videos. Whether you’re a street photographer or a filmmaker, you will surely enjoy the light flairs and the unique bokeh that these lenses provide. If you just want to experiment with different photographic styles, we recommend picking up the Creator FX Anamorfake filter. You can then add a dedicated anamorphic lens to your arsenal if you are happy with how the images turned out. The above article may contain affiliate links which help support Guiding Tech. However, it does not affect our editorial integrity. The content remains unbiased and authentic.
